AI Companionship: New Relations, Emotional Infrastructures brought nine works to AMP Gallery in Peckham from 6 to 8 July 2026. The exhibition examined how technologies organise care and emotional support through VR, robotics, film, games and interactive installations. In Happy Home, Cat Menzies used speech analysis to change a domestic scene. Objects from the artist’s childhood home complicated the idea of a seamless smart home, bringing anxiety, sensitivity and neurodivergence into the encounter. Teng Wang’s The Pink Stuff placed an endlessly wiping AI-generated arm alongside physical stained glass. The work brought maintenance and hidden labour into view. Lawrence Lek’s Guanyin: Confessions of a Former Carebot followed an artificial intelligence created to care for other artificial intelligences in crisis. Together, these works opened questions about whose needs a system recognises, who performs the labour of care and how people experience the technologies around them. Explore all nine works below.